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- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 3. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- Volume III includes the last 23 chapters (XXXIV to LVI) of the second series, and the first 22 installments (I to XXII) of the third and last series, for a total of 118 pages of text. The chapters belonging to the second series were published in the Dispatch between February 15, 1857 (Vol. IX, No. 42) and August 2, 1857 (Vol. X, No. 14), while those included in the third series came out between July 8, 1860 (Vol. XIII, No. 2) and December 2, 1860 (Vol. XIII, No. 32). In this portion of his history, Durang chronicles the seasons of Philadelphia theaters from 1826-27 to 1831-32. The author presents a cast list for the most important performances, and in some cases even quotes contemporary playbills and reviews. Special events include the Philadelphia debut of actor Charles Kean and the performances of Metamora; or, The Last of the Wampanoags, a tremendously successful play produced at the Arch Street Theatre at the beginning of 1830, and featuring Edwin Forrest in the main part. Opera singer Maria Malibran, who toured the United States from 1825 to 1827 and performed in Philadelphia during these same years, is the focus of a whole chapter discussing her life and career (series III, chapter XIII). A new theater, the Arch Street Theatre, was inaugurated in 1828 and soon became one of the most important institutions in the city along with the Chestnut Street Theatre and the Walnut Street Theatre. A great deal of information is given on the managerial aspects regulating the life of these artistic centers, and on the actors, singers, writers, and other figures who were involved during those years. Many such figures appear in the rich iconographic portion of the volume, which includes portraits of Emma Albertazzi, Geneviève-Aimé-Zoë Prévost, Marie Taglioni, Antonio Guerra, Sarah Egerton, Charles William Macready, Marie Caroline Félix-Miolan, John Liston, Laure Cinti-Damoreau, William Dowton, James Henry Hackett, William Henry West Betty, Margaret Somerville, Madame Céleste, Charles Edward Horn, William Rufus Blake, Henriette Sontag, Giovanna Baccelli, Joseph Grimaldi, Armand Vestris, Lucia Elizabeth Vestris, John Philip Kemble, Giuditta Pasta, Rachel Félix, Margaret Martyr, John Vanbrugh, Edwin Forrest, Luigia Caldarini, Sam Cowell, Dorothea Jordan, Rebecca Davison, Caius Gabriel Cibber, John Pritt Harley, Carlotta Grisi, Stephen Kemble, Sarah Siddons, Thomas Sheridan, James Edward Murdoch, Elizabeth Rainforth, Charles William Macready, Calvin Edson, Thomas Apthorpe Cooper, Jane Stephens, Elizabeth Sharp, Edwin Booth, Charles Kean, Charlotte Cushman, Herr Driesbach, David Garrick, Harriet Waylett, Frances Abington, General Tom Thumb, Samuel Phelps, John Quick, Thomas Hilson, Samuel Reddish, Maria Malibran, Elena D’Angri, John Reeve, George Washington Dixon, Oliver Goldsmith, Julia Fortescue, and many others. The volume also contains engravings of the three main Philadelphia theaters (Chestnut Street Theatre, Walnut Street Theatre, and Arch Street Theatre) and of other international venues such as the Théâtre de l’Académie Royale de Musique (Salle Le Peletier) of Paris, and the Teatro Principal of Havana, Cuba. An autograph letter by Herr Driesbach, the famous lion tamer, is attached to the volume, along with an autographed portrait of actor George Handel Hill.
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 5. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- Volume V includes the following 36 chapters (LXIII to XCVIII) of Charles Durang’s history, for a total of 119 pages of text. These chapters were originally published in the Dispatch between September 22, 1861 (Vol. XIV, No. 22) and June 8, 1862 (Vol. XV, No. 7). In this part of his work, Durang offers an extensive description of the management and life of the most important Philadelphia theaters between the 1841-1842 and 1849-1850 seasons. The author comments upon the vicissitudes of several actors, impresarios and artists active in the city in those years, most notably William Evans Burton, Charlotte Cushman, Edward Loomis Davenport, Charles William Macready, and Edwin Forrest. In particular, the escalating rivalry between Macready and Forrest is documented by numerous chapters, from its early stages in 1844 – when both actors were cast in the same role in the same play by two different theaters, the Arch Street and the Walnut Street – to further altercation in England in 1846 and the final lawsuit announced by Macready in November 1848. A copy of the announcement in which the British actor proclaims his intention to sue Forrest is included in the volume. These chapters also discuss the growing importance of Italian opera in the city, which was visited by travelling companies such as the Havana Opera Company (1847) and the Max Maretzek Italian Opera Company (1848). Westcott offers numerous portraits of all these figures, along with a considerable number of engravings depicting numerous artists and impresarios such as Fanny Cerrito, James Rogers, Susan Cushman, William Evans Burton, Elizabeth Yates, Edward Fitzwilliam, Fanny Fitzwilliam, James William Wallack, George H. Hill, Charles Kemble, John Brougham, Lucia Elizabeth Vestris, Isabella Glyn, William Wheatley, Henry Woodward, William Dowton, William Creswick, William Maybury Fleming, Joshua Silsbee, Phineas Taylor Barnum, Richard Brinsley Sheridan, Maria Gibbs, John Liston, Harriet Waylett, George Jamieson, Henri Vieuxtemps, George H. Barrett, Gustavus Vaughan Brooke, Charles Bass, Mary Ann Povey, Anna Cora Mowatt, Charles Kean, Lucille Western, John Sinclair, Eliza Logan, Ira Aldridge, Laura Keene, Mary Taylor, Arabella Goddard, Julia Dean, Henry Compton, George John Bennett, Fanny Cooper, Hanry Marston, Robert Keeley, Barney Williams, Ann Bishop, Federico Beneventano, John Edward Owens, Junius Brutus Booth, Edwin Booth, Amalia Patti, Carlotta Patti, Elena D’Angri, Maurice Strakosch, Caroline Richings, Julia Dean, Hector Berlioz, Alexina F. Baker, James Hudson, Charles Walter Couldock, McKean Buchanan, Francis Marion Brower, Teresa Rolla, and many others. Images of Philadelphia theaters such as the Arch Street Theatre and the Walnut Street Theatre are also present, as well as another engraving depicting the Continental Theatre fire of 1861— a famous accident in which seven performers lost their lives. The scrapbooks also contains a few manuscript documents, including a note by actor Edward Loomis Davenport, and two additional letters from actors and managers Francis Courtney Wemyss and Louisa Lane Drew.
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 6. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- Volume VI includes the final 38 chapters (XCIX to CXXXVI) of the third series of Durang’s history, for a total of 110 pages of text. These installments appeared in the Dispatch between June 15, 1862 (Vol. XV, No. 8) and April 19, 1863 (Vol. XV, No. 52). Here Durang discusses the theatrical seasons of several city institutions, such as the Chestnut Street Theatre, the Walnut Street Theatre, the Arch Street Theatre, the Musical Fund Hall, and Welch’s National Circus, Theatre, and Hippodrome, up to the closure of the second Chestnut Street Theatre in 1855. Prominent events include the Italian opera season at the Chestnut Street Theatre, under the management of impresario Max Maretzek, and the parallel programming of Jenny Lind’s performances at the Musical Fund Hall. A biographical sketch of Jenny Lind, complete with a description of her career in the United States, is provided. The volume also includes other clippings concerning the closing of the second Chestnut Street Theatre in 1855, the opening of the third Chestnut Street Theatre in 1862, and the renovation of the Arch Street Theatre in 1861, after Louisa Lane Drew assumed the management of the theater. A brief article by L. G. Thomas, originally published in the Sunday Dispatch and titled "Reminiscences of Private Dramatic Associations," is also found in the final part of the scrapbook. A wide number of artists, impresarios, and theatrical figures are portrayed in the images added by Westcott to the volume. Among them are Philip Rohr, William Warren, Harriet Waylett, Joseph Jefferson, Ephraim Horn, Richard Brinsley Sheridan, William F. Wallet, Giovanni Battista Belletti, Marie Taglioni, George John Bennett, Virginia Howard, John Brougham, John Henderson, Junius Brutus Booth, Edwin Booth, John Philip Kemble, Phineas Taylor Barnum, Jenny Lind, Teresa Parodi, John Gilbert, Mary Amelia Warner, James Edward Murdoch, Laura Keene, William Henry Don, John Drew, Gustavus Vaughan Brooke, Lola Montez, Julia Bennett Barrow, Edwin Forrest, Laura Addison, Jean Margaret Davenport (Mrs. Lander), Peter Richings, Max Maretzek, Mary Anne Stirling, Lizzie Weston, Louis Moreau Gottschalk, George E. Locke, Lester Wallack, Gabriel Ravel, Henriette Sontag, Cora De Wilhorst, Charles William Macready, Thomas Potter Cooke, Isabella Glyn, William Dowton, John Edward Owens, Kate Josephine Bateman, William Farren, John Liston, Louisa Pyne, Giulia Grisi, McKean Buchanan, Adeliaide Phillipps, Susanna Centlivre, Charlotte Thompson, Edwin Pearce Christy, Charles Walter Couldock, Marietta Alboni, and George Frederick Cooke. A list of “maiden and married names of actresses” is located at the beginning of the volume, and offers researchers a useful research tool as they reconstruct the career of famous female performers. The scrapbook also contains images of numerous theaters and cultural institutions, both in Philadelphia and in other U.S. cities, such as the Philadelphia Academy of Music, the Walnut Street Theatre, the City Museum of Callowhill Street, and Welch's National Circus (at the National Theatre) in Philadelphia, Astor Place Opera House, Castle Garden Theatre, Pike's Opera House, Booth’s New Theatre, and Brougham’s Theatre in New York City, and the New National Theatre and the People’s Theatre in Cincinnati, OH. Finally, the volume comprises a small number of autograph letters, including one by theater manager John Sefton, and another one by actor and theater manager John Drew.
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 1. 1749 to 1818. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- Volume I includes the first 55 chapters (I to LV) of the first series, published in the Sunday Dispatch from May 7, 1854 (Vol. VII, No. 1) to May 20, 1855 (Vol. VIII, No. 3), for a total of 118 pages of text. Because Charles Durang was born in 1794, he could not rely on personal recollections for the description of most of the events that took place in this period. Possibly also for this reason, this scrapbook is the one that covers the widest chronological span, from 1749 to 1818, with only 61 pages of text devoted to the years up to 1800. The portion of Durang’s history included in the scrapbook mentions the first instances of theatrical performances in Philadelphia (including those of the Hallam Company – later renamed American Company), and discusses the vicissitudes of the theaters that were opened in the city during those decades, including the Society Hill Theatre, the Southwark Theatre, the Northern Liberty Theatre, the Chestnut Street Theatre, the Apollo Street Theatre, and the Olympic Theatre (later renamed Walnut Street Theatre). Theatrical seasons are described in full detail by Durang, especially after the mid 1790s, following the opening of the Chestnut Street Theatre. A whole chapter (XXV) provides a history of the circus in Philadelphia, and the next chapters also include references to theatrical performances, concerts, and other forms of live entertainment that took place in circuses and outdoor locations, including Ricketts Circus and the Vauxhall Gardens. References to the contemporary theatrical life in England and in other American cities (New York City, Boston, Baltimore, and Annapolis, among others) can also be found in the text. The volume contains engravings and drawings of theatrical institutions such as the Southwark Theatre, the Chestnut Street Theatre (destroyed by fire in 1820), the Ricketts Amphitheatre, the Theatre Royal, Covent Garden (London), the Richmond Theatre (Richmond, VA), and the Old Federal Street Theatre (Boston). The scrapbook is also embellished with a conspicuous number of portraits of actresses, actors, and other theatrical figures, such as William Shakespeare, Daniel Terry, Anna Marcella Lydall , Sarah Siddons, Charles Macklin, Henry Mossop, Spranger Barry, Thomas Sheridan, Thomas King, James William Dodd, Elizabeth Singer Rowe, John Bannister, William Parsons, John Moody, Susannah Maria Cibber, Ann Street, Robert Bensley, Isabella Mattocks, Charles Macklin, John Philip Kemble, Robert Bensley, Jane Powell, John Henderson, Elizabeth Yates, Thomas Holcroft, Charlotte Melmoth, Elizabeth Barry, Frances Abbington, Mary Ann Wrighten, Maria Theresa Bland, Colley Cibber, William Dimond, Fanny Fleming, Thomas Hull, Thomas Cooke, Maria Duncan, John Bernard, Samuel Phelps, and Edmund Kean, among others. A few autographs letters, some written by Charles Durang himself, are also included. Finally, a small collection of playbills, mostly from the 1820s, was inserted in the final part of the scrapbook. Most notably, the collection features the playbill of the play Douglas; or, The Noble Shepherd (performed at the Walnut Street Theatre, Philadelphia, on November 27th, 1820), which saw the first appearance on stage of actor Edwin Forrest. A list of the portraits included in the volume is located at the beginning of the scrapbook, while a general index is placed at the end.
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 2. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- "Volume II contains 118 pages of text, including the remaining 20 chapters of the first series (LVI to LXXV) and the first 33 chapters (I to XXXIII) of the second series. The chapters of the first series were published in the Sunday Dispatch between May 27, 1855 (Vol. VIII, No. 4) and October 7, 1855 (Vol. VIII, No. 23), while those belonging to the second series appeared between June 29, 1856 (Vol. IX, No. 9) and February 8, 1857 (Vol. IX, No. 41). In the final part of the first series, Durang comments upon the last years of the old Chestnut Street Theatre, up to the fire which caused its closure in 1820. The first appearances on stage of Edwin Forrest, as well as the Philadelphia debut of British actor Edmund Kean, are discussed at length. In this portion of the series Durang also describes the new Chestnut Street Theatre (opened in 1822), and provides a long list of all the American plays produced in Philadelphia before 1822. In the first chapters of the second series, Durang discusses the activities of the new Chestnut Street Theatre, as well as that of other institutions such as the Walnut Street Theatre, the Prune Street Theatre, the Tivoli Garden Theatre, and the Olympic Circus. As in the final part of the preceding series, every season is described in full detail. Additional anecdotes and biographical descriptions of famous actors, such as Junius Brutus Booth, Charles William Macready, and Charles Mathews, are also included. The collection of portraits and engravings added by Westcott to the volume features a wide number of figures quoted by Durang in the text and variously connected with the Philadelphia theatrical scene – among them, Louisa Cranstoun Nisbett, Joseph George Holman, Robert William Elliston, Anna Maria Crouch, Charles Incledon, Ann Catley, Sarah Bartley, Wolfgang Amadeus Mozart, James William Wallack, Susanna Centlivre, Elizabeth Inchbald, John Philip Kemble, Alexander Rae, William West, Edwin Forrest, Edmund Kean, Sarah Siddons, Joseph Jefferson, Maria Gibbs, Dorothea Jordan, Ann Street Barry, Elizabeth Billington, Junius Brutus Booth, Charlotte Goodall, Thomas Potter Cooke, Julia Dean, Elizabeth Hopkins, John Fawcett, Maria Theresa Bland, John Henderson, Elizabeth Hartley, François-Joseph Talma, Mademoiselle Mars, John Bannister, Charles Mathews, Elizabeth Farren, William Farren, Eliza Logan Wood, Anna Thillon, Sarah Egerton, Maria Foote, Mary Ann Davenport, Sam Cowell, Maria Theresa Kemble, Fanny Maria Kelly, and Charles William Macready. The volume also includes several engravings of American and European theaters, opera houses, and other performance venues, such as the Prune Street Theatre, the new Chestnut Street Theatre, and the New Adelphi Theatre of Philadelphia, the Holliday Street Theatre (Baltimore), the Bowery Theatre (New York), the Tremont Theatre (Boston), the Theatre Royal, Haymarket, the Surrey Theatre, Sadler’s Wells Theatre, and Astley’s Royal Amphitheatre (London), the Queen’s Theatre and Opera House (Edinburgh), the Théâtre de la Porte Saint-Martin and the Théâtre de l’Opéra-Comique (Paris), the Schauspielhaus (Cologne). Autographs include a handwritten payment receipt, penned by actor William Warren, and a signed portrait of actor Robert Dempster."
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 4. Arranged and illustrated by Thompson Westcott, 1868
- Description:
- Volume IV contains the next 40 chapters (XXIII to LXII) of the third and last series of Durang’s history, consisting of 120 pages of text. Those chapters appeared in the Dispatch between December 9, 1860 (Vol. XIII, No. 33) and September 15, 1861(Vol. XIV, No. 21). The clippings contained in the volume offer a detailed account of the management and the most notable shows performed in the Philadelphia theaters – especially the Chestnut Street Theatre, the Walnut Street Theatre, and the Arch Street Theatre – between the 1830-1831 and 1840-1841 seasons. Salient events include the rivalry between Edwin Forrest, based at the Arch Street Theater, and the members of the Kemble family, based at the Chestnut Street Theatre, in the early 1830s; the arrival in Philadelphia of the Montresor opera troupe and the first production of Italian operas at the Chestnut Street Theatre in 1833; and a detailed report of the successes and failures of several troupes and individual actors and singers who performed in Philadelphia during the decade. For most of those artists, Westcott provided at least one portrait as part of the rich collection of drawings and engravings inserted in the volume. Notable figures include, among others, William Francis Brough, Fanny Tacchinardi Persiani, Pauline Garcia (Viardot), Henry Betty, Gabriel Ravel, Sarah Siddons, Charles Kemble, Fanny Kemble, Anne Maria Tree, William Smith, Lester Wallack, Henry Placide, Thomas Placide, William Warren, Charles Kean, Elizabeth Brunton (Yates), Walter Scott, Sarah Ward, John Sinclair, Tate Wilkinson, Anaïde Castellan Giampietro, James Edward Murdoch, Edwin Booth, Charles William Macready, Andrew Ducrow, James S. Wallace, Henry Erskine Johnston, Joseph Wood, Mary Giovanna Cawse, Mary Ann Paton, Tyrone Power, Ralph Sherwin, William Evans Burton, John Howard Payne, Madame Celeste, Samuel Phelps, John Reeve, Thomas D. Rice, Tryphosa Jane Wallis, Edwin Forrest, Mary Anne Goward, Robert Keeley, Margarita Graddon, Victoria Balfe, Francis Courtney Wemyss, Robert Hamilton, Robert Campbell Maywood, Charlotte Elizabeth Vanderhoff, John M. Vandenhoff, David Garrick, Robert William Elliston, Lucia Elizabeth Vestris, Elizabeth Kemble, Samuel S. Sanford, Edward Fitzwilliam, Fanny Fitzwilliam, Fanny Elssler, Mary Anne Stirling, Charlotte Cushman, Susan Cushman, John Braham, Peter Richings, Ira Aldridge, Giuseppe De Begnis, and Giuseppina Ronzi De Begnis. Included in the volume are also a few pictures of Philadelphia and other national and international theaters, such as the Arch Street Theatre, the Academy of Music, the Northern Exchange Theatre, the Coates Street Theatre, and Sanford’s Opera House (Philadelphia), the State Street Theatre (Columbus, OH), Niblo’s Opera House (New York City), the St. Charles Theatre and the American Theatre and Arcade Baths (New Orleans), East London Theatre (formerly Royalty Theatre, London), and the Paris Opera House (Palais Garnier, Paris). The scrapbook also includes a playbill of the show "Venitian [sic] Carnival, or Punch in Good Humour," arranged by French vaudeville artist Gabriel Ravel, and an original letter by playwright, publisher, and theater manager William Evans Burton.
- Personal Name:
- Durang, Charles; Westcott, Thompson, 1820-1888
- Date:
- 1868
- Language:
- English
- Rights:
- https://rightsstatements.org/page/CNE/1.0/?language=en
- Collection:
- Thompson Westcott scrapbooks of Charles Durang's history of Philadelphia theater between the years 1749 and 1855
- Call Number:
- Ms. Coll. 1316
- Title:
- The trotting horse of America : how to train and drive him : with reminiscences of the trotting turf / by Hiram Woodruff; ed. by Charles J. Foster; including an introductory notice by George Wilkes, and a biographical sketch by the editor.
- Subject:
- Horse racing -- United States.; Horses -- Training.; Horse racing.
- Description:
- Fairman Rogers copy: Imperfect: plate detached from spine.; Athenaeum copy: Ex libris: NY Mercantile Library.
- Personal Name:
- Foster, Charles J. (Charles James), 1820-1883, editor.; Foster, Charles J. (Charles James), 1820-1883.
- Corporate Name:
- Mercantile Library Association of the City of New-York, former owner.; Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Woodruff, Hiram Washington, 1817-1867.
- Publisher:
- New York : J.B. Ford and Company, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania); Mercantile Library Association of the City of New-York,
- Call Number:
- 1868 Woodruf
- Title:
- Catalogue of improved stable fittings / manufactured by Samuel S. Bent.
- Subject:
- Stable fixtures -- Catalogs.; Horses -- Equipment and supplies -- Catalogs.; Ironwork.; Stable fixtures.; Horses -- Equipment and supplies.; Ironwork -- Catalogs.; Catalogs.; Advertisements -- New York (State) -- 19th century.
- Corporate Name:
- Samuel S. Bent (Firm : New York, N.Y.); Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Publisher:
- New York : Egbert, Bourne & Co., printers, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 798.3 B448
- Title:
- British sports and pastimes, 1868 / edited by Anthony Trollope.
- Subject:
- Horse racing.; Sports -- Great Britain.; Hunting.; Shooting.; Sports.
- Personal Name:
- Trollope, Anthony, 1815-1882.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Publisher:
- London : Virtue & Co.; New York : Virtue and Yorston, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 799 T75 799 T75
- Title:
- The science of foxhunting and management of the kennel / by Scrutator.
- Subject:
- Fox hunting.; Foxhounds.; Hunting.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Horlock, Knightley William, 1802-1882.
- Publisher:
- London : George Routledge and Sons, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 798.6 H78.1
- Title:
- Selections from La grande duchesse. No. 6 : Pour épouser une princesse = To marry a lovely princess / translated by Hugo; music by J. Offenbach.
- Subject:
- Operas -- Vocal scores with piano.; Songs with piano.; Operas.; Vocal scores.
- Personal Name:
- Meilhac, Henri, 1831-1897.; Halévy, Ludovic, 1834-1908.
- Corporate Name:
- Keffer Collection of Sheet Music (University of Pennsylvania); T. Sinclair's Lith., lithographer.
- Date:
- 1868
- Language:
- French; English
- Creator:
- Offenbach, Jacques, 1819-1880.
- Publisher:
- Philadelphia (722 Chestnut St., Philadelphia) : Lee & Walker, [1868]; ©1868
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Keffer Collection of Sheet Music (University of Pennsylvania)
- Call Number:
- Folio M1.A13 K4 Box 30a, no. 88
- Title:
- Testimonials to the Goodenough Horseshoe Co. : patented May 1860 : president, Samuel Colgate; secretary, Augustus Seeley.
- Subject:
- Endorsements in advertising.; Horseshoeing.; Advertising.
- Personal Name:
- Colgate, Samuel.; Seeley, Augustus.
- Corporate Name:
- Goodenough Horseshoe Company.; Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Publisher:
- New York : Press of Wynkoop & Hallenbeck, [1868?]
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 619.19 G61
- Title:
- The American stud book : containing full pedigrees of all the imported thorough-bred stallions and mares, with their produce, including the Arabs, Barbs and Spanish horses, from the earliest accounts of racing in America, to the end of the year 1867 : also, all the native mares, and their produce, alphabetically arranged; with an appendix, giving pedigrees of all the native stallions whose dams have no names, with full and copious index to produce of the mares / by S.D. Bruce.
- Subject:
- Horses -- United States -- Pedigrees.; Thoroughbred horse.; Horses.; Thoroughbred horse -- Pedigrees.; Genealogical tables.; Pedigrees.
- Description:
- Fairman Rogers copy: Letters concerning pedigrees, signed by S.D. Bruce and Fairman Rogers, tipped in preceding t.p.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Bruce, Sanders Dewees, 1825-1902.
- Publisher:
- Chicago : E.B. Myers and Co., 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 798.1 B83
- Title:
- The treatment of our domesticated dogs / by Magenta.
- Subject:
- Dogs.; Advertisements -- Scotland -- Edinburgh -- 19th century.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Mahon, Maurice Hartland.
- Publisher:
- Edinburgh; London : William Blackwood and Sons, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 636.7 M27
- Title:
- Maggie's answer : response to "When you and I were young, Maggie" : song and chorus / composed by J.A. Butterfield.
- Subject:
- Songs with piano.; Songs.; Scores.
- Personal Name:
- Putnam, Kittie L., dedicatee.; Kidder, Andrew Bradshaw, 1810-1881, engraver.
- Corporate Name:
- Keffer Collection of Sheet Music (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Butterfield, James A., 1837-1891.
- Publisher:
- ©1868; Boston : Oliver Ditson & Company, [1868]
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Keffer Collection of Sheet Music (University of Pennsylvania)
- Call Number:
- Folio M1.A13 K4 Box 31, no. 41
- Title:
- Skating beauty : song & chorus / words by Hans Patrick le Conner; music by Benj. Owen.
- Subject:
- Songs with piano.; Songs.; Scores.
- Personal Name:
- Le Conner, Hans Patrick; Le Conner, Hans Patrick, lyricist.; McLean, A. (Alexander), approximately 1823- lithographer.; Bissell, Hattie, dedicatee.
- Corporate Name:
- Keffer Collection of Sheet Music (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Owen, Benjamin, active 19th century.
- Publisher:
- ©1868; St. Louis (205 Fourth St., St. Louis) : Compton & Doan, [1868]
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Keffer Collection of Sheet Music (University of Pennsylvania)
- Call Number:
- Folio M1.A13 K4 Box 40, no. 22
- Title:
- Infelicia / by Adah Isaacs Menken.
- Subject:
- Poetry.
- Description:
- Kaplan Collection copy has photograph of author taped to inside front cover.; Kaplan Collection copy presented to the Penn Libraries in 2012 by Arnold and Deanne Kaplan.; Kaplan Collection copy collectify accession no. 2006.12.26.00940
- Corporate Name:
- Arnold and Deanne Kaplan Collection of Early American Judaica (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Menken, Adah Isaacs, 1835-1868.
- Publisher:
- London; Paris; New York : [publisher not identified], 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Arnold and Deanne Kaplan Collection of Early American Judaica (University of Pennsylvania)
- Call Number:
- PS2389.M24 I56 1868b
- Title:
- Turf frauds and turf practices, or, Spiders and flies / by M.R. Laing-Meason.; Turf frauds and turf practices; Spiders and flies
- Subject:
- Horse racing -- Great Britain.; Horse racing.; Advertisements -- England -- London -- 19th century.
- Description:
- Fairman Rogers copy: Imperfect: front free endpaper with advertisements detached from spine.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Meason, Malcolm Ronald Laing, 1824-
- Publisher:
- London : George Routledge and Sons, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 798.5 M46
- Title:
- Modern cavalry : its organisation, armament, and employment in war : with an appendix containing letters from Generals Fitzhugh Lee, Stephen D. Lee, and T. L. Rosser, of the Confederate States' cavalry, and Col. Jenyns' system of non-pivot drill in use in the 13th hussars / by Lieut. Col. George T. Denison.
- Subject:
- Cavalry.; Advertisements -- England -- London -- 19th century.
- Personal Name:
- Rosser, Thomas Lafayette, 1836-1910.; Lee, Stephen D. (Stephen Dill), 1833-1908.; Lee, William Henry Fitzhugh, 1837-1891.
- Corporate Name:
- Fairman Rogers Collection (University of Pennsylvania)
- Date:
- 1868
- Language:
- English
- Creator:
- Denison, George T. (George Taylor), 1839-1925.
- Publisher:
- London : Thomas Bosworth, 1868.
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Fairman Rogers Collection (University of Pennsylvania)
- Call Number:
- 357 D417
- Title:
- [Extracts from Arte y vocabulario en lengua mame].; Arte y vocabulario en lengua mame; Vocabulario en lengua mame
- Subject:
- Mam language -- Glossaries, vocabularies, etc.; Indians of Central America -- Guatemala -- Languages -- Early works to 1800.; Language and languages.; Mam language.; Indians of Central America.; Glossaries.; Codices.; Controlled vocabularies.; Glossaries, vocabularies, etc.; Manuscripts, English.
- Personal Name:
- Reinoso, Diego de, 17th century.; Smith, Buckingham, 1810-1871.; Brinton, Daniel G. (Daniel Garrison), 1837-1899, former owner.; Pimentel, Francisco, conde de Heras, 1832-1893.
- Date:
- 1868
- Language:
- English; Mayan languages; Spanish; Castilian
- Creator:
- Berendt, C. Hermann (Carl Hermann), 1817-1878.
- Publisher:
- [1868?]
- Rights:
- http://rightsstatements.org/page/NoC-US/1.0/?
- Collection:
- Berendt-Brinton Linguistic Collection.
- Call Number:
- Ms. Coll. 700
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